R. F. Kuang’s latest book, “Katabasis,” was released after months of anticipation from readers. In this new dark academia fantasy novel, Kuang skillfully combines classical philosophy with themes of magic to create a riveting story of obsession and knowledge.

The book follows two Cambridge graduate students, Alice Law and Peter Murdoch, on their journey to Hell to rescue their professor, Jacob Grimes, after his death. The two rivals set off determined to find Professor Grimes in order to receive a recommendation letter that will change their academic futures.

Alice and Peter face dangerous challenges that test their character and abilities. They run into a deity called Weaver Girl, who offers red and green apples, representing their choice to proceed alone or together. When they choose differently, Peter is captured by the Weaver Girl and the two are attacked by the bone creatures. Thankfully, they are saved by a boatwoman named Elspeth Bayes. As the two venture further, they learn more about each other and work together to overcome obstacles.

The idea of death becomes apparent as they explore Hell. Kuang explains this idea by using the paradox of someone existing in the world at one moment and being gone the next. Despite being reminiscent of the Roman myth of Orpheus and Eurydice, the story gives readers a fresh perspective of Hell by using it as a foundation to convey the underlying theme of toxic academia.

This book explores ambition, intellectual obsession and the extent to which people will go to achieve their academic dreams. Alice and Peter’s eventual vulnerability regarding their personal struggles brings subjects like chronic illness into view.

Due to Kuang’s extensive use of philosophical concepts and academic ideas, “Katabasis” can  come off as too academic or difficult to understand. However, it’s perfect for readers looking to immerse themselves in a world of magic, academia and fantasy.

Readers who enjoyed Kuang’s style of writing in “The Poppy War” or “Babel” would appreciate the similar storytelling in “Katabasis.”